I’ll be at Readercon 34 this weekend after spending most of the last couple of weeks doing massive re-reads.
If you’ll be there, please feel free to stop and say hello! My schedule is below.
The Works of P. Djèlí Clark
Salon I/J Friday, July 18, 2025, 1:00 PM EDT
Andrea Hairston [moderator]; Leon Perniciaro; Rob Cameron; Tom Doyle; Victoria Janssen
Our Guest of Honor P. Djèlí Clark rounded out his first decade as a published author with a Nebula and a Locus for his fantasy police procedural novel, The Master of Djinn, and both those awards plus a British Fantasy Award for his monster-hunting novella Ring Shout. His short story “How to Raise a Kraken in Your Bathtub” is short-listed for the Hugo this year. As a History professor at University of Connecticut, he investigates the pathways leading from West African storyteller/poets (griots, a.k.a. djèlí) to the American abolitionist movement. Help us celebrate the works of our honored guest!
The Purposes of Memorable Insults in Sci-Fi and Fantasy
Salon I/J Friday, July 18, 2025, 5:00 PM EDT
Storm Humbert [moderator]; Anne E.G. Nydam; Charles Allison; Ellen Kushner; Victoria Janssen
Some of the most quotable lines in science fiction and fantasy are zingers. Wit can do a lot to build a character, a world, and a universe, and has the ability to either support or undermine reader expectations. This panel aims to explore and elaborate on the use of wit—and especially takedowns—in literature, exposing how a verbal jab can serve as more than just a punchline.
Moving from Traditional Publishing to Self-Publishing
Salon G/H Friday, July 18, 2025, 7:00 PM EDT
Victoria Janssen [moderator]; Cecilia Tan; Jedediah Berry; Sarah Smith; Steven Popkes
It’s becoming increasingly common to hear of authors whose self-published work was so successful that they were picked up by a traditional publisher. But what of the authors who have gone the other way, by turning their backs on traditional publishing and going into self-publishing? Panelists will survey the varying reasons for making this transition, how authors have navigated it, and what this might say about the state of publishing overall.
Kaffeeklatsch: Victoria Janssen
Suite 830 Friday, July 18, 2025, 8:00 PM EDT
The Works of Cecilia Tan
Salon I/J Saturday, July 19, 2025, 12:00 PM EDT
Victoria Janssen [moderator]; Charlie Jane Anders; Laura Antoniou; Cecilia Tan (i)
Our Guest of Honor, Cecilia Tan, has a publication history that spans Asimov’s, Absolute Magnitude, Ms. Magazine, Penthouse, and Best American Erotica, among others. Writer and editor of science fiction and fantasy, especially as they intersect with erotica and romance, she is also the founder of Circlet Press, an independent publisher that specializes in speculative erotica. Her own writing earned a Lifetime Achievement for Erotica in 2014 from Romantic Times magazine. She also contributes to America’s other pastime, baseball, in her role as Publications Director for the Society for American Baseball Research (SABR). Come hear our panel discuss Cecilia’s many talents and accomplishments.
Un-Kafkaesque Bureaucracies
Salon I/J Saturday, July 19, 2025, 7:00 PM EDT
Victoria Janssen [moderator]; Alexander Jablokov; J.M. Sidorova; Laurence Raphael Brothers; Steven Popkes
In fiction, bureaucracies are generally depicted as evil in its most banal form, yet many of the actual bureaucracies that shape our lives exist to protect us from corporate greed. How can—and should—we tell other stories about bureaucrats and bureaucracies, particularly as the U.S. stands on the precipice of disastrous deregulation? And might fantasies of bureaucracy (such Addison’s The Goblin Emperor and Goddard’s The Hands of the Emperor) be the next cozy subgenre?
The Endless Appetite for Fanfiction
Create / Collaborate Saturday, July 19, 2025, 8:00 PM EDT
Kate Nepveu [moderator]; Claire Houck/Nina Waters; Laura Antoniou; Victoria Janssen
In an article of the same name (https://www.fansplaining.com/articles/endless-appetite-fanfiction), Elizabeth Minkel discussed how “2024 was the year [fanfic] truly broke containment—everyone seemed to want a piece of the fanfiction pie, leaving fic authors themselves besieged on all sides.” Attempts to steal and monetize fanfic proliferated, as did reviews treating living authors as distant and unreachable. What do these trends say about larger changes in attitudes toward stories and creators? How can fans of all kinds nurture supportive connections to authors?